THE BACK STORY


THE BACK STORY: In January 2016 I launched "Well Used, Well Loved" (WUWL)a long term community art project that explores age, beauty, impermanence and attachment through a hand woven dish towel and reflective writing/drawing. Eight households from England to Oregon "adopted" a hand woven linen towel to use however they wish. Every other week I sent a prompt for reflection to be recorded in a small journal that I provided. The response to my initial call to participate in WUWL was overwhelming. Over 50 households expressed interest in taking part in the project and I only had 8 towels.


So I created a secondary project that dovetailed with the first one. This second group of ultimately 38 households (Maine to Arizona) wrote and drew on kozo paper (a special Japanese paper) to record their response to my prompts. Thru a hands-on workshop at my studio I taught local folks from this group how to spin their kozo paper into thread using a Japanese technique called Shifu. I created a video tutorial for those who wanted to learn to spin their paper from afar.


Prompts to both groups were the same. For example Prompt #6 was: "The materials for this project are hand woven linen and Kozo paper. Both are created from plant fibers, known for their absorption qualities. Absorption can also been seen as dissolving boundaries. In that light what parallels or connection do you observe between your own ability to absorb, to soak up, to empathize? What connections do you perceive between your linen/paper and the action of union, of dissolving boundaries, connection? What value do these actions have today.


In September I began to collect the 8 towels, the kozo papers and the journals for a future installation. The journals, the used/loved towels and the completed art piece woven from the community threads will combine to create an installation that I am currently designing.

Wednesday, October 11, 2017

Well done!

Well almost....!
I have completed the four panels that highlight the handspun shifu papers from the over 30 WUWL households. The entire piece is so big that when I had it photographed last week -- we had to shoot it in two sections!
Panels in my studio
Here is a preview of the work in my staid. Note that the red thread is just pinned in place.

I will post the professional shot images of the completed work soon!

Friday, September 8, 2017

Off the loom!

The end of the warp!
The two center panels for the "Well Used, Well Loved" piece are off the loom. I have tentatively titled this piece "With these hands."

The next few steps include sewing the edges, fringing the bottom and finally adding the embroidered and couched hands. I've sketched out a new design.

I wil be an artist in residence at Hewnoaks in Lovell, ME from September 16 - 22. While there I hope to get a great deal accomplished on these panels. The big effort of getting these panels dyed and woven has been done.

I am super excited to see the images finally take shape! I'll be sure to post with progress reports.
Sketched layout for "With these Hands"

Friday, July 14, 2017

Soak, breathe, dip and nosh

Quan Yin, my studio Goddess
Summer. Ah-h-h. A time to slow down and breathe deeply. To soak up the heat, the water and the times with friends and family. Summer here in Maine is so darn brief that it is important to take advantage of every minute as best you can.

I am in and out of the studio.  I am weaving the final two panels for Well Used, Well Loved. The fabric is a plain weave 40" wide by 6 yards long. I will embroider and couch the Shifu thread on this surface went it is all woven.

Here's to a happy summer - eat, read, nap, swim and enjoy!

Yardage on the loom

Tuesday, June 20, 2017

Panel #2 Off Loom


Panel #2 is off the loom!
It is just as amazingly vibrant with line, color and simple repetitive pattern as Panel #1.

Now it is onward to set up the loom for the two large center panels. These panels will have embroidered hands - which harkens back to the series I did "Now:Letters by hand."

It all seems to turn back on itself doesn't it?

My progress has been challenged by a new puppy -- Frieda! She is a joy -- and a challenge! I TOTALLY forgot how much work (and love) a puppy can be!
Frieda prefers paper collage.

Monday, May 29, 2017

Text into textile


Panel #1 detail
Panel #1 is off the loom. The subtle changes from thread to thread is mesmerizing. This panel is 6' tall by 2' wide. Be sure to zoom in to get a closer look at the shift threads and hand-dyed warp.

Panel #2 is in process - photos below.

If you look very closely you can see the lines of text/writing on the threads. Each writer added color and drawings to the paper prior to spinning.
Panel #2 detail

Second panel in progress


Tuesday, May 16, 2017

Progress Report

Shifu thread is so easy to weave 

The Shifu paper thread is brocaded on to the surface
 I have begun weaving with the Shifu spun paper thread from the participants in Well Used, Well Loved. Now that the loom is all threaded and ready to weave -- it is a breeze. This thread is so gorgeous that all I have to do is stitch it down with the supplementary warp -- and it looks amazing.
Slight color changes from each paper thread

Wednesday, May 10, 2017

A long, slow gestation

   Spring is taking her sweet time here in Maine. It's May 10th, the heat is on in my studio, the
Dyed warp threads beamed and ready to thread
daffodils are slowly opening, the lilacs are just small beads of deep purple and the oaks leaves are a lacy light green.
   If you have been following my rumination over how to present the beautiful Shifu threads - you know that I've played with different ways to honor and share these threads spun from your heartfelt text.  I've listened to what others think, considered my own visions and done a number of samples.
  A few weeks ago I made the decision to weave a simple dark blue-black ground cloth on which to "float" these threads.
My sketch 
  I have designed a 4 panel piece. The two outside panels will be 72" by 24" and have Shifu threads stitched down by a supplementary warp, placed in horizontal lines—as though in a letter. The two center panels will be 72" by 40" with Shifu threads couched on to the surface. The design will be a hand gesture or mudra. The warps are dyed, one loom is ready to thread.  Of course all of this is still open to change -- that's how art seems to evolve.